Well, it has been a long time since I've written for my blog. But here I am at the Louisville Muhammad Ali International Airport waiting to head back home after a short visit in Kentucky. A trip, I will admit, I was apprehensive to make. Kentucky? Aren't Mitch McConnell and Rand Paul their US Senators? What the hell am I going to do here?
For some background, let's start with why I'm here. As a maker of horror movies, one of the cool things about the genre is the Rondo Hatton Classic Horror Awards.
According to Wikipedia - The Rondo Awards is an annual "monster kid fandom" award created by members of the Classic Horror Film Board, where the members and other interested fans vote for a variety of individuals, entities, and media nominated in the horror genre. The award has been likened to a "Horror Oscar,"[2] and is considered a "coveted" prize in the horror community.
"Honoring the best in classic horror research, creativity and film preservation," according to its website, the Rondo award has no corporate backing or institutional sponsorship.[4]
Named in honor of actor Rondo Hatton, the awards have been presented annually since 2002 and selected via an open vote; any individual may cast a ballot. Nominees are chosen by a committee, although any individual can nominate either themselves or others via the award's official forum.
Although the Rondo award was initially created to honor individuals and figures associated with classic horror, the award also recognizes contemporary achievements, such as best film and book of the year and best television presentation of the year.
This year we were lucky enough to win the award for our feature SEEDS.
Which is an incredible honor. I had to come. The Rondos are run by David Colton, who is a remarkably kind man. And as I learned at this years awards, very much about diversity and inclusion. But more on that later.The exhibit is one of the most moving I have ever seen. Perhaps because it was her birthday and how solemn everyone in attendance was. And there were a lot of us. It was an exhibit I don't know that would be curated at places like the Clark Museum.
Back that evening for the awards it was wonderful to hear David talk about giving out awards to projects like Horror Noire: A History of Black Horror, as described on Shudder, Delving into a century of genre films that by turns utilized, caricatured, exploited, sidelined, and finally embraced them, Horror Noire traces the untold history of Black Americans in Hollywood through their connection to the horror genre.
Similarly the article ‘Black Horror; History on the Big Screen,’ by Ernie Rockelman in HorrorHound also won an award.